European Comics in Official and Fan Translations

East-West

Prolific comic book author Pierre Christin, who penned the game-changing classic sci-fi series “Valerian and Laureline,” switches to autobiography here to bring us the thoughtful, enlightening tale of two vastly different lands, the American West during the civil rights movement and the counter-culture phenomenon, and the Eastern Bloc during the Cold War, as seen through the eyes of an inquisitive French artist and journalist with a love for travel, intellectual query, gypsies, and jazz. Christin and his faithful road companion and “Valerian” co-creator Jean-Claude Mézières drive across landscapes ranging from Utah to Bulgaria in a series of cars each more dilapidated than the next, encountering people and adventures of all kinds in a story that is part travel journal, part geo-political documentary, and part artistic coming-of-age.

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Lightness

In the aftermath of the murderous attack on the Charlie Hebdo offices on January 7, 2015, cartoonist Catherine Meurisse struggles with the trauma of losing her friends and looks for a way to move forward with her life and her art. She soon enters a dissociative state where she loses her memories, especially those associated with esthetic experiences. This leads her on a quest to seek beauty and lightness in the world around her with the help of guiding lights including Proust, Stendhal, Baudelaire, and two provocative graffiti artists. Throughout the book, Meurisse uses her limber cartooning and dynamic writing to weave a tapestry of raw emotion and philosophical reflection laced with a strain of wry humor.

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The Photographer of Mauthausen

This is a dramatic retelling of true events in the life of Francisco—or François—Boix, a Spanish press photographer and communist who fled to France at the beginning of World War II. But there, he found himself handed over by the French to the Nazis, who sent him to the notorious Mauthausen concentration camp, where he spent the war among thousands of other Spaniards and other prisoners. More than half of them would lose their lives there. Through an odd turn of events, Boix finds himself the confidant of an SS officer who is documenting prisoner deaths at the camp. Boix realizes that he has a chance to prove Nazi war crimes by stealing the negatives of these perverse photos—but only at the risk of his own life, that of a young Spanish boy he has sworn to protect, and, indeed, that of every prisoner in the camp.

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The Red Poster

This is the story of Marcel Rayman, a young Polish Jew whose face is featured on the infamous ‘Affiche Rouge’, propaganda circulated in occupied France in an attempt to discredit the Parisian resistance. The Nazi abomination drove Rayman to set aside his pacifist principles and take up arms in the ranks of Missak Manoukian’s resistance movement. For two long years, during which he saw his entire family deported, Marcel Rayman led a clandestine life, shrouded in death, fear and treachery.

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So Long Silver Screen

What is cinema? What is its effect on us? Why do we love it so much? These are all questions to which Blutch seeks the answers in his considered and humble way, drawing on his prodigious cultural knowledge and his gift for the comic book form. He references Burt Lancaster, Jean Gabin, Michel Piccoli, Luchino Visconti, Claudia Cardinale, Tarzan, Psychose, and many more. As much comic book as graphic essay, this reverie on the narrative art of image marks the advent of one of today’s masters of the 9th art.

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Tears of an Afghan Warlord

In this documentary comics we meet Belgian journalist Pascale Bourgaux as she travels with a cameraman back to a small village in the north of Afghanistan that she has been visiting regularly for ten years. The village is controlled by the warlord and resistance fighter Mamour Hasan, who fought to expel the Taliban from his land just like the Russians before them. To her great surprise, she finds the people there weary of the Europeans and corrupt Afghan officials and even the warlord’s own sons seem ready to welcome the return of the Taliban. This book uses the pacing and observational skills of artists Vincent Zabus and Thomas Campi to give a palpable sense of daily life in this troubled, faraway land as well as a behind-the-scenes glimpse of two seasoned journalists at work.

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