European Comics in Official and Fan Translations

The Summer of Irreverence Part 2

The political, artistic and sexual effervescence of Mexico in the early 20s is followed by instability and doubt. There seems to be a spreading sense of disillusionment that neither Tina nor her friends will escape. Edward has gone back to the US, and Tina finds herself alone at a pivotal moment in her life. She oscillates between her commitment to the Party, her artistic struggles, her various overlapping love affairs, and her own journey of self-discovery. She seems to be incapable of choosing one path that will close off the others, unlike Edward. The political climate becomes increasingly tense, and opinions and destinies begin to clash. Summer comes to an end, and a long winter approaches.

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The Forbidden Harbour Part 2

During the summer of 1807, off the coast of Siam, a Royal Navy ship rescues a young castaway, Abel, who only remembers his first name. He soon becomes friends with the First Officer, who is standing in for the captain as the commander has apparently run away after stealing the treasures that were on board. Abel goes back to England aboard the Explorer, and he finds accomodation in an inn which is managed by the three daughters of the runaway captain. Abel will find out something truly creepy about himself before recovering his memory, and he’ll realize the true nature of the ones who helped him.

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The Forbidden Harbour Part 1

During the summer of 1807, off the coast of Siam, a Royal Navy ship rescues a young castaway, Abel, who only remembers his first name. He soon becomes friends with the First Officer, who is standing in for the captain as the commander has apparently run away after stealing the treasures that were on board. Abel goes back to England aboard the Explorer, and he finds accomodation in an inn which is managed by the three daughters of the runaway captain. Abel will find out something truly creepy about himself before recovering his memory, and he’ll realize the true nature of the ones who helped him.

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Pin-up 02 — Poison Ivy

Dottie works in a munitions factory as a WAC, while her fiancé Joe is stationed in the Pacific. A colonel visits Dottie to convince her to resume posing for cartoonist Milton, and that “Poison Ivy” is the patriotic boost the troops really need. She agrees and then sees a newsreel with footage of Joe declaring that he wishes to spend a night with “Poison Ivy”—the fictional sex bomb he doesn’t realize is actually his fiancée. Dottie travels to the front on a publicity tour, and destiny brings her—and her desire for revenge—face-to-face with the unwitting Joe.

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Pin-up 03 — Flying Dottie

President Truman drops two atomic bombs on Japan, and Dottie cuts ties with Milton and begins posing for lowlife cheesecake photographer, Irving Klaw. In the meantime, a shadowy figure with a vendetta against ex-Yoyo Club girls persists in evading police. While Colonel Eigrutel shows a marked interest in Talullah, Milton tries to track the increasingly bitter Dottie down, and a war-injured Joe wastes away in a squat for the homeless. Everything comes to a head one dark night in the New York City.

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Pin-up 04 — Blackbird

A United States Air Force U-2 airplane goes down over Russia, and pilot Gary Francis Powers is captured. Back in the States, Powers is considered a traitor for allowing himself to be taken alive, and his wife, Dottie – aka “Poison Ivy” – has to hide from irate neighbors while also figuring out how to handle her angry young stepson. In Russia, U.S. agents discover that Powers’ plane may not have been shot down after all, and then Dottie receives an offer of help from an unexpected source: billionaire Howard Hughes, who may be able to free Gary. But at what cost?

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Pin-up 05 — Colonel Abel

American pilot-spy Gary Francis Powers has been shot down by Soviet forces and languishes in a dank prison cell awaiting trial. His wife, Dottie – a.k.a. “Poison Ivy” – continues her uneasy alliance with billionaire film producer Howard Hughes, who has promised to help her free Gary – in return for certain favors. Meanwhile, cartoonist Milton toils away at his adventure strip, “Steve Canyon,” and his precocious teenage daughter advises him on how to spice up the long-running comic. The “Canyon” storyline begins to parallel world events, which may get Milton into some very hot water.

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Ordinary Victories 1 — Ordinary Victories

Marco’s left town for the countryside. He’s left his psychologist because he feels he’s doing better. He’s quit his job as a reporter because he’s had enough of photographing corpses. He gets himself a little cottage in the heart of rural France, where he lives with his cat, Adolf. He throws out all his work, and cuts ties with his employer. That night, he has his first panic attack.It’s not long before he meets the lovely Emilie, and also the wise and good-natured old man who lives in the cottage just across the way… but who, it turns out, isn’t exactly what he seems…

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Ordinary Victories 2 — Trivial quantities

Sometimes tragic, always moving. Trivial Quantities talks about the relationship between the artist and his work, the rise of extremism and the connection between people with huge sensitivity and a rare intelligence. Our hero, Marco, carries on along his path. He exhibits his photographs in a fancy Paris gallery; he returns to the shipyards where his father used to work to photograph the workers and his old friends, and he moves in with his charming vet, Emilie. Manu Larcenet never judges, and approaches his interrogations of the human condition with extreme caution. This is just one of those books that stays with you long after you’ve turned the last page.

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Ordinary Victories 3 — Precious Things

This is the third volume of one of the most remarkable works of the contemporary comic books scene. In “Precious Things,” Marco has to face up to Emilie’s maternal longing and the aftermath of the death of his father. Through various little things, such as old photos and insignificant events, Larcenet pursues his inquisition of the human soul with incredible wisdom and insight.

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